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Who cooks dinner in American homes? It's no surprise that "Mom" remains the overwhelming answer. Cooking and all it entails, from grocery shopping to chopping vegetables to clearing the table, is to this day primarily a woman's responsibility. How this relationship between women and food developed through the twentieth century and why it has endured are the questions Sherrie Inness seeks to answer in Dinner Roles: American Women and Culinary Culture. By exploring a wide range of popular media from the first half of the twentieth century, including cookbooks, women's magazines, and advertisements, Dinner Roles sheds light on the network of sources that helped perpetuate the notion that cooking is women's work. Cookbooks and advertisements provided valuable information about the ideals that American society upheld. A woman who could prepare the perfect Jell-O mold, whip up a cake with her new electric mixer, and still maintain a spotless kitchen and a sunny disposition was the envy of other housewives across the nation. Inness begins her exploration not with women but with men -- those individuals often missing from the kitchen who were taught their own set of culinary values. She continues with the study of juvenile cookbooks, which provided children with their first cooking lessons. Chapters on the rise of electronic appliances, ethnic foods, and the 1950s housewife all add to our greater understanding of women's evolving roles in American culinary culture.

A purse phenomenon is sweeping our nation, making headlines in the New York Times, The Wall Street Journal, Vogue, In Style, and Newsday. "The accessories market, whether low- or high-end, is peaking in part because of widespread handbag fever, " says Elizabeth Hayt in The New York Times. Today purses are designed to reveal their owner's personality and add statement to the minimalism of contemporary fashion. After publishing two magazine articles on purses, Barbara Hagerty set out to further explore purses and their owners. Convinced relationships exist between a woman and her purse, Hagerty interviewed and photographed more than sixty women with their handbags. A purse is, says Hagerty, "more than a mere utilitarian container, a purse is, I realize, an extension of the person who carries it, a miniature portrait in cloth, beads, plastic, leather or feathers." What started as a photography exhibit, with openings in New York, Washington, D.C., and Hagerty's home state, South Carolina, is now coming out in book form. Quirky, hip, and sure to woo hearts with Hagerty's whimsical photography and humorous anecdotes, Purse Universe captures the essence of today's purse craze. "On one level, " Hagerty describes, "this is Purses and their Owners. On another, it is about the joy, whimsy, and poignancy conveyed by a universal object and the amazing universe of people who carry them." Some may even say, after reading Purse Universe, a purse is the window into a woman's soul.

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